PUBLICATIES

2019

ActA Univ. SApientiAe, Film And mediA StUdieS, 17 (2019) 169–178 / DOI: 10.2478/ausfm-2019-0022
Performativity and Worldmaking / Interview with Chiel M. Kattenbelt / by Ágnes Karolina Bakk

Robin Nelson:
1) Gdansk, Poland. European Shakespeare Research Association Conference, July 2017.
2) Rovaniemi, Finnland. AHRC South West UK consortium, Research Intensive, August 2017.
3) Belgrade. Serbia. International Federation of Theatre Research conference, July, 2018

In the above, I typically speak to a Powerpoint but, for Belgrade, I submitted a paper as requested (attached). At some point, I will turn this material into an article on Hamlet Encounters.

2018

Chiel Kattenbelt, for Belgrade IFTR Conference, Hamlet Encounters, a matter of playing the senses

1) Gdansk, Poland. European Shakespeare Research Association Conference, July 2017.
2) Rovaniemi, Finnland. AHRC South West UK consortium, Research Intensive, August 2017.
3) Belgrade. Serbia. International Federation of Theatre Research conference, July, 2018

Robin Nelson, for Belgrade IFTR Conference, Discussion Paper for IFTR Intermediality in Theatre and Performance Working Group Doing-knowing in intermedial theatre and artistic research: CREW’s Hamlet Encounters.

Kurt Vanhoutte, “Appropriation, Re-use and Re-enactment: Contemporary Perspectives on the Lantern” – Part: Re-enactment and the magic lantern performance: possessed by history

Josette Feral

2017

Charlotte Bigg et Kurt Vanhoutte, Spectacular Astronomy, in Early Popular Visual Culture, Routledge, Taylor & Francis online, Vol.15, NO 2, 115-124

http://www.tandfonline.com/toc/repv20/current

Charlotte Bigg, The view from here, there and nowhere? Situating the observer in the planetarium and in the solar system, in Early Popular Visual Culture, 2017, Routledge, Taylor & Francis Group, Vol.15, NO 2, 204-226

Maaike Bleeker, Who knows? The universe as technospace, in Early Popular Visual Culture, Routledge, Taylor & Francis online, Vol.15, NO 2, 247-257

Sebastien Soubiran, A trip to heaven: building a new planetarium at the university of Strasbourg, in Early Popular Visual Culture, Routledge, Taylor & Francis online, Vol.15, NO 2, 258-267

Nele Wijnants, Media Archaeology and Intermedial Performance, Deep time of the Theatre, Palgrave McMillan, ISBN 978-3-319-99576-2

2016

Julie-Michèle Morin, Master degree’s student : Université du Québec à Montréal, About CREW

Kurt Vanhoutte, Lucid Dreamers: Immersive re-enactment in the work of CREW

Liesbeth Groot Nibbelink, Doing Things with Theory: Nomadic theatre as a tool for thinking through practice,  jubileumbundel van de Noorse Theatre Academy (NTA).

Charlotte Bigg et Kurt Vanhoutte, « On the border between performance, science and the digital: The embodied orrery », International Journal of Performance Arts and Digital Media, 10/2, 2014, p. 255-260.

Charlotte Bigg et Kurt Vanhoutte, dir., Spectacular Astronomy, numéro spécial en préparation pour la revue à comité de lecture Early Popular Visual Culture (voir annexe)

Rudi Knoops (Universités de Louvain et Anvers), Kurt Vanhoutte et Nele Wynants, A Media Archaeological Approach to Theatre and Intermediality, symposium organisé et animé au Play/Perform/Participate – International Society for Intermedial Studies, université d’Utrecht (avril 2015)

Charlotte Bigg, « Restaging astronomy », Restaging Chemistry, journée d’étude à University College London (6 juillet 2015)

Kurt Vanhoutte et Nele Wynants, « ‘Without Science One is no Longer Amused!’ The theatre of Henri Robin in 19th Century Paris », Les arts trompeurs. Machines. Magie. Medias, workshop du LABEX- Arts H2H.FR, Maison de la Magie, Blois (27-29 novembre 2015)

Kurt Vanhoutte, « Spectacular Astronomy: The Case of Henri Robin », Deep Time of the Theatre, colloque commun des universités d’Anvers et de Bruxelles ( 3-4 décembre 2015)

Kurt Vanhoutte et Nele Wynants, « Ghosts Everywhere and of Every Colour », Parasomnia, Museo do Chiado, Lisbonne (décembre 2015)

Charlotte Bigg, «Le projet collectif L’astronomie spectaculaire », Atelier Reconstitution, Campus Condorcet, université paris VI Diderot (26 janvier 2016)

Kurt Vanhoutte et Nele Wynants, « Spectacular Culture in Antwerp: Henri Robin: magician – scientist in the Antwerp Variety », Interrupting the City: Launch of Antwerp Research Institute for the Arts, Anvers (5 mars 2016)

Kurt Vanhoutte, « Genius Loci: On the Logic of Space, Technology and Drama in Science Theatre Then and Now », Presenting the Theatrical Past: Intermedial Federation for Theatre Research Annual Conference, université de Stockholm (juin 2016)

Charlotte Bigg, « The view from Here, There and Nowhere? Situating the Observer in the Planetarium and in the Solar System », symposium Performing Astronomy since the Eighteenth Century, congrès des sociétés US-américaines, Canadienne et Britannique d’Histoire des Sciences, Edmondon, Canada (23-29 juin 2016)

Charlotte Bigg, « The view from Here, There and Nowhere? Situating the Observer in the Planetarium and in the Solar System », Les dispositifs de simulation du monde du début du XIXème siècle à aujourd’hui. Inventer, expérimenter et transformer le réel, colloque à l’université de Genève (7-9 septembre 2016)

Kurt Vanhoutte, Wynants Nele, Genius Loci: On the Logic of Space, Technology and Drama in Science Theatre Then and Now“, Deep Time of the Theatre, wellicht bij Palgrave

At IFTR conference 2016 : “Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices” at Stockholm University, 13-17 June 2016.

Grau, V. Helzle, E. Joris, T. Knop, R. Membarth, B. Michoud, S. Rogmans, J.Starck, ‘Dreamspace: A Platform and Tools for Collaborative Virtual Production’, IBC 2016 – Awarded one of the best 8 papers of the year.

Charlotte Bigg, Kurt Vanhoutte: On the border between performance, science and the digital: The embodied orrery’, International Journal of Performance Arts and Digital Media, Volume 10, Issue 2, 2014 in Special Issue:   Hybridities: The intersections between performance and science and the digital – A1 Journal article

Wynants Nele, Betwixt and Between. De plaats van de toeschouwer in immersieve performances.

Documenta : mededelingen van het Documentatiecentrum voor Dramatische Kunst Gent / Documentatiecentrum voor Dramatische Kunst Gent – ISSN 0771-8640 – 33:2(2015), p. 33-56

2015

Proefschrift Henk Havens, Theater en het performatief spectrum. Transities in het contemporaine theater van de Lage Landen, Toneelacademie Maastricht, Lectoraat Autonomie & Openbaarheid in de Kunsten Zuyd, Universiteit Maastricht.

Maaike Bleeker, Jon Foley Sherman, Eirini Nedelkopolou (editors), Performance and phenomenology. Traditions and Transformations, Routledge 2015. ISBN: 978-1-13-880551-4
Including contribution of Sigrid Merx.

Eric Joris (propos recueilli  et transcrit par Mireille Losco-Lena et Izabella Pluta),
LIVE ARTS, LIVE MEDIA, recherche scientifique versus recherche artistique dans le travail de la compagnie CREW, numéro printemps de la revue “Ligeia”, issue de la Journée d’étude du 25 janvier à Lyon.

2014

Eirini Nedelkopoulou & Mary Oliver (2014) Editorial, International Journal of Performance Arts and Digital Media, 10:2, 125-129, DOI: 10.1080/14794713.2014.946265 – ISSN 1479-4713 (Print), 2040-0934 (Online)

Eirini Nedelkopoulou, Eric Joris, Philippe Bekaert, Kurt Vanhoutte (2014) On the border between performance, science and the digital. Editorial, International Journal of Performance Arts and Digital Media, 10:2, 246-254, DOI: 10.1080/14794713.2014.946290 http://dx.doi.org/10.1080/14794713.2014.946290

Catherine Bouko,   Interactivity and immersion in a media-based performance, Participations Journal of audience and reception studies, Volume 11, Issue 1

Journal article:
Bleumers, L., Van den Broeck, W., Lievens, B., & Pierson, J. (2014). Extending the field of view: a human-centred design perspective on 360° TV. Behaviour & Information Technology33(8), 800–814.

2013

Doctoral thesis
Wynants Nele.- De binnenkant van het beeld : een kunsthistorisch onderzoek naar immersie, theatraliteit en ervaring Antwerpen, Universiteit Antwerpen, Faculteit Letteren & Wijsbegeerte, 2013, 381 p.

http://hdl.handle.net/10067/1069050151162165141

Robin Nelson, ‘CREW’s Terra Nova: experiencing modes of immersion in actual-virtual space’, Body, Space, Technology, Vol. 11 No. 2 – See more at: http://www.bstjournal.com/vol1102/robinnelson/home.html

Helena de Preester,  De onbewoonbaarheid van beelden, essay at the occasion of the ‘aXes’ exhibition in the castle of Gaasbeek, Brussels

Journal article:
Decock, J., Van Looy, J., Bleumers, L., & Bekaert, P. (2013). The Pleasure of Being (There?): An Explorative Study into the Effects of Presence and Identification on the Enjoyment of an Interactive Theatrical Performance using Omni-Directional Video. AI & SOCIETY.

2011

Conference paper in proceedings:
Decock, J., Van Looy, J., Bleumers, L., & Bekaert, P. (2011). The Pleasure of Being (There?): An Explorative Study into the Effects of Presence and Identification on the Enjoyment of an Interactive Theatrical Performance using Omni-Directional Video. In P. Turner (Ed.), Proceedings of the International Society for Presence Research Annual Conference (12p.). Edinburgh, Scotland: Edinburgh Napier University.

Bleumers, L., Lievens, B., Pierson, J. (2011). From Sensory Dream to Television Format: Gathering User Feedback on the Use and Experience of Omnidirectional Video-based Solutions. In P. Turner (Ed.), Proceedings of the International Society for Presence Research Annual Conference (6p.). Edinburgh, Scotland: Edinburgh Napier University.

A1 Journal article, Vanhoutte Kurt, Wynants Nele.- Performing phenomenology : negotiating presence in intermedial theatre Foundations of science – ISSN 1233-1821 – 16:2-3(2011), p. 275-284
http://dx.doi.org/doi:10.1007/s10699-010-9193-8
http://hdl.handle.net/10067/876150151162165141

Sigrid Merx, ‘From doing to performing phenomenology: implications and possibilities’ in: Foundations of Science special issue “Opening up the in-between” Vol.16.3 (on-line)

Book chapter
Wynants Nele.- Landschapstheater in kaart : van tekstueel tot virtueel landschap Het statuut van de tekst in het postdramatische theater / Swyzen, Claire [edit.]; e.a. – ISBN 978-90-5487-840-7 – Brussel, UPA, 2011
http://hdl.handle.net/10067/912260151162165141

Julie Sermon, « Distorting appearence, expanding inner space : technological manipulations of the perception » / « Déformer les apparences, déployer les espaces intérieurs : manipulations technologiques de la perception », communication présentée lors du colloque Prospero (Université de Tampere (Finlande), 20-23 octobre 2010), et publiée, en anglais, in Utopia and Critical Thinking in the Creative Process (Besançon : Les Solitaires Intempestifs, 2012, p. 105-122), et en français, in Utopie et pensée critique dans le processus de création (Besançon : Les Solitaires Intempestifs, 2012, p. 137-155).

Version française http://www.t-n-b.fr/en/prospero/european-review/fiche.php?id=72&edition=9&lang=2 Version anglaise http://www.t-n-b.fr/en/prospero/european-review/fiche.php?id=72&lang=1&edition=9

Klich, R and Scheer, E (2011 Upcoming) Multimedia Performance, Basingstoke: Palgrave McMillan.

Catherine Bouko , Natacha Slater, “Identity, otherness and the virtual double”

Technoetic Arts: a journal of speculative research, Vol. 9, n°1, 2011, pp. 17-30
Catherine Bouko , Les parcours immersifs et l’expérience quotidienne de la marche, Réel-Virtuel, revue électronique éditée par l’Université de Paris 1, Vol. 2, mars 2011

2010

Vanhoutte Kurt.- Two-fold origin : performing hybrids between theatre and media Contemporary theatre review – ISSN 1048-6801 – 20:4(2010), p. 475-485
http://dx.doi.org/doi:10.1080/10486801.2010.506350
http://hdl.handle.net/10067/869320151162165141

Book chapter
Vanhoutte Kurt, Wynants Nele.- Instance : the work of CREW with Eric joris Mapping intermediality in performance / Bay-Cheng, Sarah [edit.]; e.a. – ISBN 978-90-8964-255-4 – Amsterdam, Amsterdam University Press, 2010, p. 69-75
http://hdl.handle.net/10067/869360151162165141

2009

Book chapter
Vanhoutte Kurt, Joris Eric.- Dans van het verkabelde lichaam Homo futuris: kunstenaars en wetenschappers over mens en maatschappij in de toekomst / Bonte, Tom; et al. – Gent, Unesco Centrum Vlaanderen, 2009, p. 102-119
http://hdl.handle.net/10067/757980151162165141

Vanhoutte Kurt, Wynants Nele.- Pending presence: negotiating the space inbetween Space cowboys: how art creates, networks and visualises hybrid spaces / Klaveren, van, Rosanne [edit.]; et al. [edit.] – ISBN 978-90-334-7377-7 – Genk, Media and Design Academy, 2009, p. 58-72
http://hdl.handle.net/10067/768560151162165141

2008

VANHOUTTE, Kurt; WYNANT, Nele & BEKAERT, Philippe (2008) Being inside the image: heightening the sense of presence in a video captured environment through artistic means.

In: Proceedings of the International Workshop on Presence (PRESENCE 2008). p. 157-162.

Fleur Bokhoven, ‘Crash’, in: Anatomy Live: Performance and the Operating Theatre, p. 205~209, edited by Maaike Bleeker, Amsterdam University Press 2008, ISBN 978 90 5356 516 2
https://books.google.be/books?id=ojq0tOmjPOcC&source=gbs_navlinks_s

Book chapter
Kim Gorus.- Het falen als kunst. Digitale ontsporingen in het werk van Peter Verhelst. Kunst van het falen: esthetisch denken in de greep van de machine / ISBN 978-90-209-7916-9 – Leuven, LannooCampus, 2008,p.93-114

Vanhoutte Kurt.- Reis naar de binnenkant van het beeld: immersie en narrativiteit Crossover: kunst, media en technologie in Vlaanderen / Huybrechts, Liesbeth [edit.] – ISBN 978-90-209-7850-6 – Leuven, LannooCampus, 2008, p. 105-113
http://hdl.handle.net/10067/688970151162165141

Book as editor
Vanhoutte Kurt [edit.], de Graeve Peter [edit.].- De kunst van het falen: esthetisch denken in de greep van de machine ISBN 978-90-209-7916-9 – Leuven, LannooCampus, 2008
http://hdl.handle.net/10067/708630151162165141

Proceeding
Vanhoutte Kurt, Wynants Nele, Bekaert Philippe.- Being inside the image: heightening the sense of presence in a video captured environment through artistic means Presence 2008: proceedings of the 11th International Workshop on Presence in Padova / Spagnolli, Anna [edit.]; e.a. – ISBN 978-88-6129-287-1 – Padova, Libraria Universitaria Padova, 2008, p. 157-162
http://hdl.handle.net/10067/708830151162165141

2007

HERMANS, Chris; DUMONT, Maarten & BEKAERT, Philippe (2007) Januslights: A Camera-Projection System for Telematic Omni-Presence with Correct Eye Gaze.

In: Symposium on Virtual and Augmented Reality 2007 (SVR 2007), Petropolis, Rio de Janeiro, Brazil. [Paper – cat: C2]

Raskar, Ramesh; Nii, Hideaki; DE DECKER, Bert; Hashimoto, Yuki; Summet, Jay; Moore, Dylan; Zhao, Yong; Westhues, Jonathan; Dietz, Paul; Barnwell, John; Nayar, Shree; Inami, Masahiko; BEKAERT, Philippe; Noland, Michael; Branzoi, Vlad & Bruns, Erich (2007) Prakash: lighting aware motion capture using photosensing markers and multiplexed illuminators.

In: ACM TRANSACTIONS ON GRAPHICS, 26(3). p. Art. 36-…
(for the research and realization of the O_Rex project of CREW)

Journal article
Vanhoutte Kurt.- Reality panic: theater in het tijdperk van zijn technologische immersie FotoMuseum magazine / Antwerpen, Provincie. Provincieraad. Bestendige Deputatie – ISSN 1780-034X – 38(2007), p. 34-44
http://hdl.handle.net/10067/657880151162165141

Book chapter
Vanhoutte Kurt.- Les nouveaux médias et le tragique Oedipe contemporain? Tragédie, tragique, politique / Berghe, van den, Paul [edit.] – ISBN 9782912877703 – Vic la Gardiole, Entretemps, 2007, p. 294-305
http://hdl.handle.net/10067/649830151162165141

2006

Journal article
Vanhoutte Kurt.- Flashes I Dietsche warande en Belfort : tijdschrift voor letterkunde, kunst en geestesleven – ISSN 0012-2645 – (2006), p. 130-133
http://hdl.handle.net/10067/618060151162165141

Vanhoutte Kurt.- Flashes II Dietsche warande en Belfort : tijdschrift voor letterkunde, kunst en geestesleven – ISSN 0012-2645 – (2006), p. 292-297
http://hdl.handle.net/10067/618070151162165141

Vanhoutte Kurt.- Flashes III Dietsche warande en Belfort : tijdschrift voor letterkunde, kunst en geestesleven – ISSN 0012-2645 – (2006)
http://hdl.handle.net/10067/618080151162165141

Vanhoutte Kurt.- Flashes IV Dietsche warande en Belfort : tijdschrift voor letterkunde, kunst en geestesleven – ISSN 0012-2645 – (2006)
http://hdl.handle.net/10067/618090151162165141

Vanhoutte Kurt.- Radical confluences Maska: časopis za scenske umetnosti – ISSN 1318-0509 – 21:1/2(2006)
http://hdl.handle.net/10067/617910151162165141

Book chapter
Vanhoutte Kurt.- Genealogieën van de toekomst Theater & technologie / Havens, Henk [edit.] – ISBN 9070892820 – Utrecht, Theater Instituut Nederland, 2006, p. 170-190
http://hdl.handle.net/10067/617850151162165141

Crash 2004
Anatomy live
https://books.google.be/books?id=ojq0tOmjPOcC&pg=PA205&lpg=PA205&dq=crew+crash+rotterdamse+schouwburg&source=bl&ots=l-mXuUeThs&sig=WKUT__MAyZOTf-OBiI3EP-EeEI0&hl=en&sa=X&ved=0ahUKEwjW97n66dTMAhWhK8AKHcOBAv0Q6AEINDAE#v=onepage&q=crew%20crash%20rotterdamse%20schouwburg&f=false

http://theater.uantwerpen.be/etc/page.py?f=2004-06_jg22_nr92_62.xml

Theater maken. Architecturale strategieën van hedendaagse podiumkunstenaars. eindverhandeling ingediend tot het behalen van de graad van burgerlijk ingenieur-architect academiejaar 2006-2007 vakgroep architectuur & stedenbouw
Faculteit Ingenieurswetenschappen Universiteit Gent Promotor Prof. Dr. Ir.-arch. Dirk De Meyer Birgit Cleppe http://lib.ugent.be/fulltxt/RUG01/001/312/144/RUG01-001312144_2010_0001_AC.pdf

2004

Journal article
Vanhoutte Kurt.- Het virulente lichaam van Philoctetes Dietsche warande en Belfort : tijdschrift voor letterkunde, kunst en geestesleven – ISSN 0012-2645 – 3(2004), p. 290-308
http://hdl.handle.net/10067/618050151162165141

Vanhoutte Kurt.- Performatieve technologie: het perspectief van CREW Proscenium : vakblad voor klank, licht en podiumtechniek – ISSN 1375-3479 – (2004), p. 13-22
http://hdl.handle.net/10067/618100151162165141

Journal article
Vanhoutte Kurt.- Prosthetic gods ThK: journal of art theory and practice – 7:3(2004), p. 55-59
http://hdl.handle.net/10067/617900151162165141

2003

Journal article
Vanhoutte Kurt.- Machines op het middaguur: werkverslag van Philoctetes/Man-o-war Etcetera – ISSN 0774-2738 – 85(2003), p. 49-54
http://hdl.handle.net/10067/617980151162165141

Book chapter
Vanhoutte Kurt.- De implosie van de avant-garde in de technologie (?) Het internet als atopische of utopische schouwburg? / Carpentier, Nico [edit.] – Gent, Steunpunt Re-Creatief Vlaanderen, 2003, p. 78-90
http://hdl.handle.net/10067/618040151162165141

Vanhoutte Kurt.- The virulent body of Philoctetes: integrating performance art and technology Consciousness reframed / Ascott, R. [edit.] – ISBN 1 74067 272 0 – Perth, Curtin University of Technology, 2003
6 p.
http://hdl.handle.net/10067/415760151162165141

2002

K. Vanhoutte, E. Joris,  T. De Weyer & F. Van Reeth, “The virulent body of Philoctetes : integrating performance art and technology”, Accepted for CAiiA STAR 2002 Research Conference, Perth, Australia. Consciousness Reframed 2002

Proceedings Paper DE WEYER, Tom; CONINX, Karin & VAN REETH, Frank (2002) Design for accessibility: enabling a motion-impaired artist to control a 3D virtual world.  In: Keates, S. & Langdon, P. & Clarkson, P.J. & Robinson, P. (Ed.) PROCEEDINGS OF CWUAAT ’02. p. 53-63.

Proceeding
Vanhoutte Kurt, [et al.].- Multimedia as a prosthesis: mingling live performance arts and virtuality Proceedings The Future of Narrative in Cyberspace, Toronto, Ont., 2002 – s.l., 2002, p. 7-9
http://hdl.handle.net/10067/618140151162165141

2001

Proceedings Paper DE WEYER, Tom; CONINX, Karin & VAN REETH, Frank (2001) Intuitive modelling and integration of imaginative 3D scenes in the theatre.  In: Proceedings of the Virtual Reality International Conference 2001, Laval, France, 16-18 May 2001. p. 167-173.