Kurt VANHOUTTE (2019). Lucid Dreamers: Immersive re-enactment in the work of CREW. In: Archéé, arts médiatiques & cyberculture. [Link→]
Ágnes Karolina BAKK (2019). Performativity and Worldmaking. Interview with Chiel M. Kattenbelt. In: Acta Univ. Sapientiae, Film and Media Studies, 17. p. 169–178 [Download→]
Kurt VANHOUTTE (2019). Performing Astronomy: the Orrery as Model, Theatre and Experience. In: Nele WYNANTS [edit.].Media Archeology and Intermedial Performance. Deep Time of the Theatre. p. 145–172 Palgrave MacMillan. [Link→]


Kurt VANHOUTTE (2018). Appropriation, Re-use and Re-enactment: Contemporary Perspectives on the Lantern. [Link→]
Prof. Robin NELSON (2018). Doing-knowing in intermedial theatre and artistic research: CREW’s Hamlet Encounters. In: Discussion Paper for IFTR Intermediality in Theatre and Performance Working Group. [Download→]


Sebastien SOUBIRAN (2017). A trip to heaven: building a new planetarium at the university of Strasbourg. In: Early Popular Visual Culture. p. 258–267 Routledge, Taylor & Francis online, Vol.15, NO 2.
Nele WYNANTS (2017). Media Archaeology and Intermedial Performance, Deep time of the Theatre. Palgrave McMillan.
Charlotte BIGG, Kurt VANHOUTTE (2017). Spectacular Astronomy. In: Early Popular Visual Culture, online Vol.15, NO 2. p. 115–124 Routledge, Taylor & Francis. [Link→]
Charlotte BIGG (2017). The view from here, there and nowhere? Situating the observer in the planetarium and in the solar system. In: Early Popular Visual Culture, online, Vol.15, NO 2. p. 204–226 Routledge, Taylor & Francis Group. [Link→]
Maaike BLEEKER (2017). Who knows? The universe as technospace. In: Early Popular Visual Culture, online, Vol.15, NO 2. p. 247–257 Routledge, Taylor & Francis. [Link→]


Nele WYNANTS (2016). Betwixt and Between. De plaats van de toeschouwer in immersieve performances.. [Download→]
O. Grau, V. Helzle, E. Joris, T. Knop, R. Membarth, B. Michoud, S. Rogmans, J.Starck (2016). Dreamspace: A Platform and Tools for Collaborative Virtual Production. IBC.
Kurt VANHOUTTE (2016). Genius Loci: On the Logic of Space, Technology and Drama in Science Theatre Then and Now. In: Presenting the Theatrical Past: Intermedial Federation for Theatre Research Annual Conference, university of Stockholm (June 2016).
Vincent JACOBS (2016). Tools for creating holographic live performance and installation art.


Maaike BLEEKER, Jon Foley SHERMAN, Eirini NEDELKOPOULOU (ed.) (2015). Performance and Phenomenology. Traditions and Transformations. Routledge.
Charlotte BIGG (2015). Restaging astronomy. In: Restaging Chemistry at University College London (6 juillet 2015).


L. BLEUMERS, W. VAN DEN BROECK, B. LIEVENS & J. PIERSON (2014). Extending the field of view: a human-centred design perspective on 360° TV. In: Behaviour & Information Technology, 33 (8). p. 800–814
Charlotte BIGG, Kurt VANHOUTTE (2014). On the border between performance, science and the digital: The embodied orrery. In: International Journal of Performance Arts and Digital Media, 10/2. p. 255–260


L. BLEUMERS, B. LIEVENS, J. PIERSON (2011). From Sensory Dream to Television Format: Gathering User Feedback on the Use and Experience of Omnidirectional Video-based Solutions. In: P. Turner (Ed.).Proceedings of the International Society for Presence Research Annual Conference (6p.). Edinburgh, Scotland: Edinburgh Napier University. [Link→]
J. Decock, , J. Van Looy, L. Bleumers & P. Bekaert (2011). The Pleasure of Being (There?): An Explorative Study into the Effects of Presence and Identification on the Enjoyment of an Interactive Theatrical Performance using Omni-Directional Video.. In: P. Turner (Ed.).Proceedings of the International Society for Presence Research Annual Conference (12p.).. Edinburgh, Scotland: Edinburgh Napier University. [Link→]


Kurt VANHOUTTE & Nele WYNANTS (2010). Performing Phenomenology: Negotiating Presence in Intermedial Theatre. In: Foundations of Science, 17. p. 275–284 [Link→] [Download→]


Kurt VANHOUTTE, Nele WYNANTS (2009). Pending presence: negotiating the space in between. In: Klaveren, van, Rosanne [edit.]; et al. [edit.].Space cowboys: how art creates, networks and visualises hybrid spaces. p. 58–72 Genk: Media and Design Academy. [Link→]


Kurt VANHOUTTE, Nele WYNANTS & Philippe BEKAERT (2008). Being inside the image: heightening the sense of presence in a video captured environment through artistic means.. In: Spagnolli, Anna [edit.]; e.a..Presence 2008: proceedings of the 11th International Workshop on Presence in Padova. p. 157–162 Padova: Libraria Universitaria Padova. [Link→]